General

Author Dinaw Mengestu I'm often asked why I write so much about my mother's experiences. Even though I never directly experienced the trauma, I inherited it. Journalist and fiction writer Dinaw Mengestu's new book, How To Read the Air covers the same emotional terrain. A recent New York Times article describes his work as "populated by exiles, refugees, emigres and children of the African diaspora, all struggling both to find ...

Gert Krell My German blog partner, Gert Krell, has responded to my entry below called My grandfather's life and death. Here are some of his comments: "Next time I go to Darmstadt to visit my grandparents’ grave (they are urn-buried), I will also visit the Jewish cemetery at Groß-Gerau and look for your grandfather’s tombstone. I deeply regret what my country has done to your family, that your grandfather was ...

Rwanda - Stories for Hope http://storiesforhope.org/ The New York Times Business section on Sunday, October 10, 2010 profiles Patricia Pasick, Director of Stories for Hope in Ann Arbor, Michigan. The foundation was started to help Rwandans tell their stories from the 1994 genocide. After his entire family was killed in the genocide, a Rwandan secretary general asked Ms. Pasick, who was visiting the country at the time, "What do I ...

My grandfather, Siegmund Westerfeld, was born in Stockstadt am Rhein on September 22, 1891. His mother, Sarah Westerfeld, gave birth to him in the family home that their ancestors had built in 1721. (I believe my mother, born in 1925, was the first child in the family who was born in a hospital in Crumstadt.) Siegmund was the third son. (Both my grandparents, Sigmund and Frieda, had the same family ...

Freiburg, Sept. 26, 2010 To: Christel Goettert Publishers re: Fern Schumer Chapman "Mutterland - nach dem Holocaust" I have read many books about the topic: memoirs from the Holocaust and after, including those from the perspective of daughters or sons of survivors. No other book so far has moved and occupied me so much, and I feel compelled to thank you for the publication of this text. I wish that ...

Author Jessica Stern From Jessica Stern's book, Denial: A Memoir of Terror: "...when observers become complicit in the victim's desire to forget, they become perpetrators, too...When authorities disbelieve the victim, when bystanders refute what they cannot bear to know, they rob the victim of normal existence on the earth. Bystander and victim collude in denial or forgetting, and in so doing, repeat the abuse. Life for the victim now begins ...

"Black Painting" by Stephanie Serpick (sserpick.com) A local book club selected Motherland as this month's featured work and invited me to participate in the group's discussion today. Each reader found her own way of relating to the story. One woman talked about how her mother was raised by adoptive parents who were alcoholics. (Her biological parents died when the girl was five.) "My mother didn't really know how to be ...

HickeyPicksjr From Children's Readers Advisory "In this day and age when immigration is a hot button issue for so many people, it is important to remember the suffering from which people are trying to escape. Fern Schumer Chapman tells a story based on her mother’s journey to America during the Nazi’s rise to power in Germany. .. a painful, but important book for a young person to read." From Mrs. ...

Author William Maxwell Just as words can replace memories, (see previous blog) pictures can replace and distort memories, too. William Maxwell put it vividly in his book, So Long, See You Tomorrow: "I seem to remember that I went to the new house one winter day and saw snow descending through the attic to the upstairs bedrooms. It could also be that I never did any such thing, for I ...

Writer Dani Shapiro Writing brings form to experience. It provides an order to life and, in the process, writing alters memory. In Sunday's New York Times Book Review section, writer Dani Shapiro states that readers "often think that writing a memoir must be cathartic. But, if anything, I found that it embeds the story more deeply in the writer. The story becomes frozen, in a way, by crafting of it. ...